linkedin facebook twitter rss

BibliographyDear Reader,

This page is a gateway into my bibliography organized by topic. Eclectic – granted: but necessarily so because of the complexity of divining human intent using silicon-based devices. I don’t love all the titles, but they each helped me in some way, many by blowing my mind with ideas I had never considered, others with ideas that I rejected at first, then grew convinced after further review, and others that I still don’t swallow. You’ll notice that many of the titles revolve around my last academic forays at Tokyo Institute of Technology (with Tanaka Sensei) and the University of Minnesota (with Dr. Slagle) in the mid and late 80s. Had I the bandwidth to continue documenting my interim delving in the bibliography, I certainly would have done so. But I’m working to make up for the lost time and continuing to build this bibliography of cybernetics. The following topics and references are used in the UnderstandingContext blog:

Click on any of the links below to go to the main page for the named section of the Understanding Context blog:

I also benefited from the following bibliography of Semiotics from Daniel Chandler’s site:

A

  • Abrams, Meyer H (1971): The Mirror and the Lamp: Romantic Theory and the Critical Tradition. London: Oxford University Press
  • Adams, Michael Vannoy (1989): ‘Deconstructive Philosophy and Imaginal Psychology: Comparative Perspectives on Jacques Derrida and James Hillman’. In Rajnath (Ed.): Deconstruction: A Critique. London: Macmillan, pp. 138-157
  • Alberti, Leon Battista (1966): On Painting (trans. John R Spencer). New Haven, CT: Yale University Press
  • Alcoff, Linda & Elizabeth Potter (Eds.) (1993): Feminist Epistemologies. London: Routledge
  • Allen, Graham (2000): Intertextuality (The New Critical Idiom). London: Routledge
  • Allen, Robert C. (Ed.) (1992): Channels of Discourse, Reassembled. London: Routledge
  • Allport, Gordon W. & Leo J. Postman (1945): ‘The Basic Psychology of Rumour’, Transactions of the New York Academy of Sciences, Series II 8: 61- 81. Reprinted in Eleanor E. Maccoby, Theodore M. Newcomb & Eugene L. Hartley (Eds.) (1959): Readings in Social Psychology(3rd edn.). London: Methuen
  • Althusser, Louis (1971): Lenin and Philosophy (trans. Ben Brewster). London: New Left Books
  • Altman, Rick (1992): ‘The Material Heterogeneity of Recorded Sound’. In Rick Altman (Ed.): Sound Theory, Sound Practice. New York: Routledge, pp. 15-31
  • Altman, Rick (1999): Film/Genre. London: BFI
  • Ang, Ien (1985): Watching ‘Dallas’: Soap Opera and the Melodramatic Imagination. London: Methuen
  • Argyle, Michael (1969): Social Interaction. London: Tavistock/Methuen
  • Argyle, Michael (1983): The Psychology of Interpersonal Behaviour (4th edn.). Harmondsworth: Penguin
  • Argyle, Michael (1988): Bodily Communication (2nd edn.). London: Methuen

B

  • Bacon, Francis (1620): Novum Organum. In J M Robertson (Ed.) (1905): The Philosophical Works of Francis Bacon (trans. R L Ellis & J Spedding). London: Routledge
  • Baggaley, Jon & Steve Duck (1976): Dynamics of Television. Farnborough: Saxon House
  • Bakhtin, Mikhail (1981): The Dialogic Imagination: Four Essays (trans. C Emerson & M Holquist). Austin, TX: University of Texas Press
  • Barnard, Malcolm (1996): Fashion as Communication. London: Routledge
  • Barnlund, Dean C (1975): ‘Communication Styles in Two Cultures: Japan and the United States’. In A Kendon, R M Harris & M R Key (Eds.): Organization of Behavior in Face-to-Face Interaction. The Hague: Mouton
  • Barthes, Roland ([1953] 1967): Writing Degree Zero (trans. Annette Lavers & Colin Smith). London: Cape
  • Barthes, Roland ([1957] 1987): Mythologies. New York: Hill & Wang
  • Barthes, Roland ([1964] 1967). Elements of Semiology (trans. Annette Lavers & Colin Smith). London: Jonathan Cape
  • Barthes, Roland ([1973] 1974): S/Z. London: Cape
  • Barthes, Roland (1977): Image-Music-Text. London: Fontana
  • Barthes, Roland (1985): The Fashion System (trans. Matthew Ward & Richard Howard). London: Jonathan Cape
  • Baudrillard, Jean (1984): ‘The Precession of Simulacra’. In Brian Wallis (Ed.): Art After Modernism: Rethinking Representations, Vol. 1. New York: Museum of Contemporary Art (reprinted from Art and Text 11 (September 1983): 3-47
  • Baudrillard, Jean (1988): Selected Writings (Ed. Mark Poster). Cambridge: Polity Press
  • Baudrillard, Jean (1995): The Gulf War Did Not Take Place (trans. Paul Patton). Bloomington, IN: Indiana Univ Press
  • Bazerman, Charles (1981): ‘What Written Knowledge Does: Three Examples of Academic Discourse’, Philosophy of the Social Sciences 11: 361-88
  • Bazin, André (1974): Jean Renoir. London: W H Allen
  • Belsey, Catherine (1980): Critical Practice. London: Methuen
  • Benjamin, Walter (1992): Illuminations (Ed. Hannah Arendt, trans. Harry Zohn). London: Fontana
  • Benveniste, Emile (1971): Problems in General Linguistics (trans. Mary E Meek). Coral Gables: University of Miami Press
  • Berger, Peter & Thomas Luckmann (1967): The Social Construction of Reality. New York: Anchor/Doubleday
  • Bernstein, Basil (1971): Class, Codes and Control, Vol. 1: Theoretical Studies towards a Sociology of Language. London: Routledge & Kegan Paul
  • Bignell, Jonathan (1997): Media Semiotics: An Introduction. Manchester: Manchester University Press
  • Birdwhistell, Ray L (1971): Kinesics and Context: Essays on Body-Motion Communication. London: Allen Lane
  • Blonsky, Marshall (Ed.) (1985): On Signs: A Semiotics Reader. Oxford: Blackwell
  • Bolter, Jay David (1991): Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum
  • Boorstin, Daniel J (1961): The Image, or What Happened to the American Dream. London: Weidenfeld and Nicolson
  • Booth, Wayne C ([1961] 1983): The Rhetoric of Fiction (2nd Edn.). Chicago, IL: Chicago University Press
  • Bordwell, David, Janet Staiger & Kristin Thompson (1988): The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge
  • Bordwell, David & Kristin Thompson (1993): Film Art: An Introduction (4th Edn.). New York: McGraw-Hill
  • Brooks, Cleanth & Robert Penn Warren (1972): Modern Rhetoric (Shorter 3rd Edn.). New York: Harcourt Brace Jovanovich
  • Bruner, Jerome S (1966): ‘Culture and Cognitive Growth’. In J S Bruner, R R Olver & P M Greenfield (Eds.): Studies in Cognitive Growth. New York: Wiley
  • Burgelin, Olivier (1968): ‘Structural Analysis and Mass Communication’. In Denis McQuail (Ed.) (1972): Sociology of Mass Communications. Harmondsworth: Penguin
  • Burgin, Victor (Ed.) (1982): Thinking Photography. London: Macmillan
  • Burke, Kenneth (1969): A Grammar of Motives. Berkeley, CA: University of California Press
  • Burr, Vivien (1995): An Introduction to Social Constructionism. London: Routledge
  • Butler, Judith (1999): Gender Trouble: Feminism and the Subversion of Identity London: Routledge
  • Buxton, David (1990): From ‘The Avengers’ to ‘Miami Vice’: Form and Ideology in Television Series. Manchester: Manchester University Press

C

  • Carey, John (1974): ‘Temporal and Spatial Transitions in American Fiction Films’, Studies in the Anthropology of Visual Communication 1: 45-50
  • Carey, John (1982): ‘Conventions and Meaning in Film’. In Sari Thomas (Ed.): Film/Culture: Explorations of Cinema in its Social Context. Metuchen, NJ: Scarecrow Press
  • Chandler, Daniel (1995): The Act of Writing: A Media Theory Approach. Aberystwyth: University of Wales, Aberystwyth
  • Chandler, Daniel (1998): Semiótica para Principiantes (trans. Vanessa Hogan Vega & Iván Rodrigo Mendizábal). Quito, Ecuador: Ediciones Abya-Yala/Escuela de Comunicación Social de la Universidad Politéchnica Salesiana
  • Chaplin, Elizabeth (1994): Sociology and Visual Representation. London: Routledge
  • Chase, Stuart (1938): The Tyranny of Words. New York: Harcourt, Brace & World
  • Cherry, Colin (1966): On Human Communication (2nd Edn.). Cambridge, MA: MIT Press
  • Clark, Herbert H & Eve V Clark (1977): Psychology and Language: An Introduction to Psycholinguistics. New York: Harcourt Brace Jovanovich
  • Cobley, Paul & Litza Jansz (1997): Semiotics for Beginners (retitled Introducing Semiotics, 1999). Cambridge: Icon
  • Cohen, Stanley & Jock Young (Eds.) (1981): The Manufacture of News: Social Problems, Deviance and the Mass Media. London: Constable
  • Cook, Guy (1992): The Discourse of Advertising. London: Routledge
  • Coren, Stanley, Lawrence M Ward & James T Enns (1994): Sensation and Perception (4th Edn.; International Edn.). Fort Worth, TX: Harcourt Brace
  • Corner, John (1980): ‘Codes and Cultural Analysis’, Media, Culture and Society 2: 73-86
  • Corner, John (1983): ‘Textuality, Communication and Power’. In Davis & Walton (Eds.), op. cit., pp. 266-81
  • Coward, Rosalind & John Ellis (1977): Language and Materialism: Developments in Semiology and the Theory of the Subject. London: Routledge & Kegan Paul
  • Crystal, David (1987): The Cambridge Encyclopedia of Language. Cambridge: Cambridge University Press
  • Culler, Jonathan (1975): Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. London: Routledge & Kegan Paul
  • Culler, Jonathan (1981): The Pursuit of Signs: Semiotics, Literature, Deconstruction. London: Routledge & Kegan Paul
  • Culler, Jonathan (1985): Saussure. London: Fontana
  • Culler, Jonathan (1989): ‘Hartman and Derrida’. In Rajnath (Ed.): Deconstruction: A Critique. London: Macmillan, pp. 271-277

D

  • Danesi, Marcel (1994a): Messages and Meanings: An Introduction to Semiotics. Toronto: Canadian Scholars’ Press
  • Danesi, Marcel (1994b): Cool: The Signs and Meanings of Adolescence. Toronto: University of Toronto Press
  • Danesi, Marcel (1999): Of Cigarettes, High Heels and Other Interesting Things: An Introduction to Semiotics. London: Macmillan
  • Davis, Desmond (1960): The Grammar of Television Production (revised by John Elliot). London: Barrie & Rockliff
  • Davis, Howard & Paul Walton (Eds.) (1983a): Language, Image, Media. Oxford: Basil Blackwell
  • Davis, Howard & Paul Walton (1983b): ‘Death of a Premier: Consensus and Closure in International News’. In Davis & Walton (Eds.), op. cit, pp. 8-49
  • de Lauretis, Teresa (1984): Alice Doesn’t: Feminism, Semiotics, Cinema. London: Macmillan
  • Deacon, David, Michael Pickering, Peter Golding & Graham Murdock (1999): Researching Communications: A Practical Guide to Methods in Media and Cultural Analysis. London: Arnold
  • Deregowski, Jan B (1980): Illusions, Patterns and Pictures: A Cross-Cultural Perspective. New York: Academic Press
  • Derrida, Jacques (1974): ‘White Mythology: Metaphor in the Text of Philosophy’, New Literary History 6(1): 5-74
  • Derrida, Jacques (1976): Of Grammatology (trans. Gayatri Chakravorty Spivak). Baltimore, MD: Johns Hopkins University Press
  • Derrida, Jacques (1978): Writing and Difference (trans. Alan Bass). London: Routledge & Kegan Paul
  • Derrida, Jacques (1981): Positions (trans. Alan Bass). London: Athlone Press
  • Douglas, Mary (1982): ‘The Future of Semiotics’, Semiotica 38(3/4): 197-203
  • Dyer, Richard (1992): Only Entertainment. London: Routledge
  • Dyer, Richard (1997): White. London: Routledge

E

  • Eagleton, Terry (1983): Literary Theory: An Introduction. Oxford: Basil Blackwell
  • Easthope, Antony (1990): What a Man’s Gotta Do. Boston, MA: Unwin Hyman
  • Eaton, Mick (Ed.) (1981): Cinema and Semiotics (Screen Reader 2). London: Society for Education in Film and Television
  • Eco, Umberto (1965): ‘Towards a Semiotic Enquiry into the Television Message’, In Corner & Hawthorn (Eds.) (1980), pp. 131-50
  • Eco, Umberto (1966): ‘Narrative Structure in Fleming’. In E. del Buono & Umberto Eco (Eds.): The Bond Affair. London: Macdonald
  • Eco, Umberto (1976): A Theory of Semiotics. Bloomington, IN: Indiana University Press/London: Macmillan
  • Eco, Umberto ([1980] 1984): The Name of the Rose. London: Picador/Secker & Warburg
  • Eco, Umberto (1981): The Role of the Reader. London: Hutchinson
  • Eco, Umberto (1984): Semiotics and the Philosophy of Language. Bloomington, IN: Indiana University Press
  • Edgerton, Samuel Y (1975): The Renaissance Rediscovery of Linear Perspective. New York: Harper & Row

F

  • Fairclough, Norman (1995): Media Discourse. London: Edward Arnold
  • Fish, Stanley (1980): Is There A Text In This Class? The Authority Of Interpretive Communities. Cambridge, MA: Harvard University Press
  • Fiske, John (1982): Introduction to Communication Studies. London: Routledge
  • Fiske, John (1987): Television Culture. London: Routledge
  • Fiske, John (1989): ‘Codes’. In International Encyclopedia of Communications, Vol. 1. New York: Oxford University Press, pp. 312-6
  • Fiske, John (1992): ‘British Cultural Studies and Television’. In Allen (Ed.), op. cit., pp. 284-326; also in Storey (Ed.) (1996), op. cit., pp. 115-146
  • Fiske, John & John Hartley (1978): Reading Television. London: Methuen
  • Fleming, Dan (1996): Powerplay: Toys as Popular Culture. Manchester: Manchester University Press
  • Floch, Jean-Marie (2000): Visual Identities (trans. Pierre Van Osselaer & Alec McHoul). London: Continuum
  • Forceville, Charles (1996): Pictorial Metaphor in Advertising. London: Routledge
  • Forman, H B (Ed.) (1880): The Works of Percy Bysshe Shelley in Verse and Prose, Vol. 6. London: Reeves & Turner
  • Foucault, Michel (1970): The Order of Things. London: Tavistock
  • Foucault, Michel (1974): The Archaeology of Knowledge. London: Tavistock
  • Franklin, Sarah, Celia Lury & Jackie Stacey (1996): ‘Feminism and Cultural Studies: Pasts, Presents, Futures’. In Storey (Ed.) op. cit., pp. 255-72
  • Freud, Sigmund (1938): The Basic Writings of Sigmund Freud. New York: Modern Library
  • Fuss, Diane (Ed.) (1991): Inside/Out: Lesbian Theories, Gay Theories. London: Routledge
  • Fussell, Paul (1984): Caste Marks: Style and Status in the USA. London: Heinemann

G

  • Gallie, W B (1952): Peirce and Pragmatism. Harmondsworth: Penguin
  • Galtung, Johan & Eric Ruge (1981): ‘Structuring and Selecting News’. In Cohen & Young, op. cit., pp. 52-63
  • Gardiner, Michael (1992): The Dialogics of Critique: M M Bakhtin and the Theory of Ideology. London: Routledge
  • Gelb, I J (1963): A Study of Writing. Chicago: University of Chicago Press
  • Genette, Gérard ([1972] 1980): Narrative Discourse. Oxford: Oxford University Press
  • Genette, Gérard (1997): Palimpsests (trans. Channa Newman & Claude Doubinsky). Lincoln, NB: University of Nebraska Press
  • Genosko, Gary (1994): Baudrillard and Signs: Signification Ablaze. London: Routledge
  • Glasgow University Media Group (1980): More Bad News. London: Routledge & Kegan Paul
  • Goffman, Erving (1969): Behaviour in Public Places. Harmondsworth: Penguin
  • Goffman, Erving (1979): Gender Advertisements. New York: Harper & Row/London: Macmillan
  • Goldman, Robert & Stephen Papson (1994): ‘Advertising in the Age of Hypersignification’, Theory, Culture & Society 11 (August), 23-54
  • Goldschmidt, E P (1943): Mediaeval Texts and Their First Appearance in Print. Oxford: Oxford University Press
  • Goldsmith, Evelyn (1984): Research into Illustrations: An Approach and a Review. Cambridge: Cambridge University Press
  • Gombrich, Ernst H (1974): ‘The Visual Image’. In David R Olson (Ed.): Media and Symbols: The Forms of Expression, Communication and Education. Chicago, IL: University of Chicago Press, pp. 255-8; first published in Scientific American 227 (September 1971): 82-96
  • Gombrich, Ernst H (1977): Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
  • Gombrich, Ernst H (1982): The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon
  • Goodman, Marcia (1990): ‘Innocent Impostors: Gender, Genre and the Teaching of Writing’, Visions and Revisions: Research for Writing Teachers 2 (1): 37-51
  • Goodman, Nelson (1968): Languages of Art: An Approach to a Theory of Symbols. London: Oxford University Press
  • Grayson, Kent (1998): ‘The Icons of Consumer Research: Using Signs to Represent Consumers’ Reality’. In Stern op. cit., pp. 27-43.
  • Greenberg, J H (1966): Language Universals. The Hague: Mouton
  • Greimas, Algirdas ([1966] 1983): Structural Semantics. Lincoln, NB: University of Nebraska Press
  • Greimas, Algirdas (1987): On Meaning: Selected Writings in Semiotic Theory (trans. Paul J Perron & Frank H Collins). London: Frances Pinter
  • Grosz, Elizabeth (1993): ‘Bodies and Knowledges: Feminism and the Crisis of Reason’. In Alcoff & Potter op. cit., pp. 187-215
  • Gudykunst, William B & Young Yun Kim (1992): Readings on Communicating with Strangers: An Approach to Intercultural Communication. New York: McGraw-Hill
  • Guiraud, Pierre (1975): Semiology (trans. George Gross). London: Routledge & Kegan Paul
  • Gumpert, Gary & Robert Cathcart (1985): ‘Media Grammars, Generations and Media Gaps’, Critical Studies in Mass Communication 2: 23-35
  • Gurevitch, Michael, Tony Bennett, James Curran & Janet Woollacott (Eds.) (1982): Culture, Society and the Media. London: Routledge

H

  • Hagstrom, Warren O (1965): The Scientific Community. New York: Basic Books
  • Hall, Edward T (1959): The Silent Language. Greenwich, CT: Fawcett
  • Hall, Edward T (1966): The Hidden Dimension. New York: Doubleday
  • Hall, Stuart (1977): ‘Culture, the Media and the “Ideological Effect’. In James Curran, Michael Gurevitch & Janet Woollacott (Eds.): Mass Communication and Society. London: Edward Arnold
  • Hall, Stuart ([1973] 1980): ‘Encoding/decoding’. In Centre for Contemporary Cultural Studies (Ed.): Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 London: Hutchinson, pp. 128-38
  • Hall, Stuart (1981): ‘The Determinations of News Photographs’. In Cohen & Young, op. cit., pp. 226-43
  • Hall, Stuart (1982): ‘The Rediscovery of “Ideology”: Return of the Repressed in Media Studies’. In Gurevitch et al. (Eds.), op. cit.
  • Hall, Stuart (1996): ‘Cultural Studies: Two Paradigms’. In Storey (Ed.) op. cit., pp. 31-48
  • Hall, Stuart & Tony Jefferson (Eds.) (1976): Resistance through Rituals: Youth Subcultures in Post-War Britain. London: Hutchinson
  • Halliday, Michael A K (1994): An Introduction to Functional Grammar. London: Edward Arnold
  • Halperin, David M (1995): Saint Foucault: Towards a Gay Hagiography. New York: Oxford University Press
  • Hansen, Kristine (1988): ‘Rhetoric and Epistemology in the Social Sciences: A Contrast of Two Representative Texts’. In D A Jolliffe (Ed.): Writing in Academic Disciplines (Advances in Writing Research, Vol. 2). Norwood, NJ: Ablex
  • Harris, Roy (1987): Reading Saussure: A Critical Commentary on the ‘Cours de linguistique générale’. London: Duckworth
  • Hartley, John (1982): Understanding News. London: Methuen
  • Hartley, John (1996): Popular Reality: Journalism, Modernity, Popular Culture. London: Arnold
  • Hawkes, Terence (1972): Metaphor. London: Methuen
  • Hawkes, Terence (1977): Structuralism and Semiotics. London: Routledge
  • Hayakawa, S I (1941): Language in Action. New York: Harcourt, Brace
  • Hayward, Susan (1996): Key Concepts in Cinema Studies. London: Routledge
  • Heath, Stephen (1981): ‘Metz’s Semiology: A Short Glossary’. In Eaton (Ed.), op. cit., pp. 125-137
  • Hebdige, Dick (1979): Subculture: The Meaning of Style. London: Methuen
  • Hervey, Sándor (1982): Semiotic Perspectives. London: George Allen & Unwin
  • Higgins, Patrick (1993): A Queer Reader. London: Fourth Estate
  • Hjelmslev, Louis (1961): Prolegomena to a Theory of Language (trans. Francis J Whitfield). Madison: University of Wisconsin Press
  • Hockett, Charles F (1958): A Course in Modern Linguistics. New York: Macmillan
  • Hockett, Charles F (1960): ‘The Origin of Speech’, Scientific American 203: 89-96
  • Hockett, Charles F (1965): ‘Animal “Languages” and Human Language’. In J N Spuhler (Ed): The Evolution of Man’s Capacity for Culture. Detroit, MI: Wayne State University Press, pp. 32-39
  • Hodge, Robert & Gunther Kress (1988): Social Semiotics. Cambridge: Polity
  • Hodge, Robert & David Tripp (1986): Children and Television: A Semiotic Approach. Cambridge: Polity Press
  • Holdcroft, David (1991): Saussure: Signs, Systems and Arbitrariness. Cambridge: Cambridge University Press

I

  • Innis, Robert E (Ed.) (1986): Semiotics: An Introductory Reader. London: Hutchinson
  • Ivins, W (1953): Prints and Visual Communication. Cambridge, MA: Harvard University Press
  • Ivins, W ([1938] 1975): On the Rationalization of Sight. New York: Da Capo Press

J

  • Jakobson, Roman (1960): ‘Closing Statement: Linguistics and Poetics’. In Sebeok (Ed.), op.cit., pp. 350-77
  • Jakobson, Roman (1971): ‘Language in Relation to Other Communication Systems’. In Roman Jakobson (Ed.): Selected Writings, Vol. 2. Mouton: The Hague, pp. 570-79
  • Jakobson, Roman & Morris Halle (1956): Fundamentals of Language. The Hague: Mouton
  • James, William ([1890] 1950): The Principles of Psychology, Vol. 1. New York: Dover
  • Jameson, Fredric (1972): The Prison-House of Language. Princeton, NJ: Princeton University Press
  • Jensen, Klaus Bruhn (1995): The Social Semiotics of Mass Communication. London: Sage
  • Johnson, Richard (1996): ‘What is Cultural Studies Anyway?’. In Storey (Ed.) op. cit., pp. 75-114
  • Jourard, S M (1966): ‘An Exploratory Study of Body-Accessibility’, British Journal of Social and Clinical Psychology5: 221-31

K

  • Keller, Helen (1945): The Story of My Life. London: Hodder & Stoughton
  • Kennedy, John (1974): A Psychology of Picture Perception. San Francisco, CA: Jossey-Bass
  • Kipling, Rudyard (1977): Selected Verse (Ed. James Cochrane). Harmondsworth: Penguin
  • Kitses, Jim (1970): Horizons West. London: Secker & Warburg/BFI
  • Korzybski, Alfred (1933): Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics. Lancaster, PA: Science Press
  • Kress, Gunther & Theo van Leeuwen (1996): Reading Images: The Grammar of Visual Design. London: Routledge
  • Kress, Gunther & Theo van Leeuwen (1998): ‘Front Pages: (The Critical) Analysis of Newspaper Layout’. In Allan Bell & Peter Garrett (Eds.): Approaches to Media Discourse. Oxford: Blackwell, pp. 186-219
  • Kristeva, Julia (1980): Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia University Press
  • Kubovy, Michael (1986): The Psychology of Perspective and Renaissance Art. Cambridge: Cambridge University Press

L

  • Lacan, Jacques (1977): Écrits (trans. Alan Sheridan). London: Routledge
  • Lakoff, George & Mark Johnson (1980): Metaphors We Live By. Chicago: University of Chicago Press
  • Lane, Michael (Ed) (1970): Structuralism: A Reader. London: Jonathan Cape
  • Langer, Susanne K (1951): Philosophy in a New Key: A Study in the Symbolism of Reason, Rite and Art. New York: Mentor
  • Langholz Leymore, Varda (1975): Hidden Myth: Structure and Symbolism in Advertising. New York: Basic Books
  • Lanham, Richard A (1969): A Handlist of Rhetorical Terms. Berkeley: University of California Press
  • Lapsley, Robert & Michael Westlake (1988): Film Theory: An Introduction. Manchester: Manchester University Press
  • Larrucia, Victor (1975): ‘Little Red Riding-Hood’s Metacommentary: Paradoxical Injunction, Semiotics and Behaviour’, Modern Language Notes 90: 517-34
  • Lash, Scott (1990): Sociology of Postmodernism. London: Routledge
  • Leach, Edmund (1970): Lévi-Strauss (Fontana Modern Masters). London: Fontana
  • Leach, Edmund (1982): Social Anthropology (Fontana Masterguides). London: Fontana
  • Lechte, John (1994): Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. London: Routledge
  • Lee, Dorothy (1960): ‘Lineal and Nonlineal Codifications of Reality’. In Edmund Carpenter & Marshall McLuhan (Eds): Explorations in Communication. Boston: Beacon Press, pp. 136-54
  • Leiss, William, Stephen Kline & Sut Jhally (1990): Social Communication in Advertising: Persons, Products and Images of Well-Being (2nd Edn.). London: Routledge
  • Lemke, Jay (1995): Textual Politics: Discourse and Social Dynamics. London: Taylor & Francis
  • Lemon, Lee T & Marion J Reis (1965): Russian Formalist Criticism. Lincoln, NE: University of Nebraska Press
  • Lévi-Strauss, Claude (1961): Tristes Tropiques (trans. John Russell). New York: Criterion
  • Lévi-Strauss, Claude (1964): Totemism (trans. Rodney Needham). Harmondsworth: Penguin
  • Lévi-Strauss, Claude ([1949] 1969): The Elementary Structures of Kinship (trans. James Harle Bell, John Richard von Sturmer & Rodney Needham). London: Eyre & Spottiswoode
  • Lévi-Strauss, Claude (1970): The Raw and the Cooked (trans. John & Doreen Weightman). London: Jonathan Cape
  • Lévi-Strauss, Claude (1972): Structural Anthropology (trans. Claire Jacobson & Brooke Grundfest Schoepf). Harmondsworth: Penguin
  • Lévi-Strauss, Claude ([1962] 1974): The Savage Mind. London: Weidenfeld & Nicolson
  • Lévy-Bruhl, Claude ([1926] 1985): How Natives Think (trans. L A Clare). Princeton, NJ: Princeton University Press
  • Lewis, Justin (1991): The Ideological Octopus: An Exploration of Television and its Audience. New York: Routledge
  • Lodge, David ([1977] 1996): The Modes of Modern Writing: Metaphor, Metonymy and the Typology of Modern Literature. London: Arnold
  • Lodge, David (1987): ‘After Bakhtin’. In Nigel Fabb, D Attridge, A Durrant & C MacCabe (Eds.): The Linguistics of Writing: Arguments Between Language and Literature. New York: Methuen
  • Lodge, David (1988): Nice Work: A Novel. London: Secker & Warburg
  • Lotman, Yuri (1976): Analysis of the Poetic Text. Ann Arbor: University of Michigan Press
  • Lotman, Yuri (1990): Universe of the Mind: A Semiotic Theory of Culture (trans. Ann Shukman). Bloomington, IN: Indiana University Press
  • Lovell, Terry (1983): Pictures of Reality: Aesthetics, Politics and Pleasure. London: BFI
  • Lyons, John (1977): Semantics, Vol. 1. Cambridge: Cambridge University Press

M

  • MacCabe, Colin (1974): ‘Realism and the Cinema’, Screen 15(2), pp. 7-27
  • Malkiel, Yakov (1968): Essays on Linguistic Themes. Oxford: Blackwell
  • McKim, Robert H (1972): Experiences in Visual Thinking. Monterey, CA: Brooks/Cole
  • McLuhan, Marshall (1962): The Gutenberg Galaxy. Toronto: University of Toronto Press
  • McLuhan, Marshall & Quentin Fiore (1967): The Medium is the Massage. New York: Bantam
  • McLuhan, Marshall (1970): Counterblast. London: Rapp & Whiting
  • McQuarrie, Edward F & David Glen Mick (1992): ‘On Resonance: A Critical Pluralistic Inquiry into Advertising Rhetoric’, Journal of Consumer Research 19: 180-97
  • McQuarrie, Edward F & David Glen Mick (1999): ‘Visual Rhetoric in Advertising: Text-Interpretative, Experimental and Reader-Response Analyses’, Journal of Consumer Research 26(1): 37-54
  • Megill, Allan & Donald N. McCloskey (1987): ‘The Rhetoric of History’. In Nelson, J. S., A. Megill & D. N. McCloskey (Eds.): The Rhetoric of the Human Sciences: Languages and Argument in Scholarship and Public Affairs. Madison, WI: University of Wisconsin Press
  • Merton, Robert K (1968): Social Theory and Social Structure. New York: Free Press
  • Messaris, Paul (1982): ‘To What Extent Does One Have to Learn to Interpret Movies?’ In Sari Thomas (Ed.): Film/Culture. Metuchen, NJ: Scarecrow Press, pp. 168-83
  • Messaris, Paul (1994): Visual ‘Literacy’: Image, Mind and Reality. Boulder, CO: Westview Press
  • Messaris, Paul (1997): Visual Persuasion: The Role of Images in Advertising. London: Sage
  • Metz, Christian (1974): Film Language: A Semiotics of the Cinema (trans. Michael Taylor). New York: Oxford University Press
  • Metz, Christian (1981): ‘Methodological Propositions for the Analysis of Film’. In Eaton (Ed.), op. cit., pp. 86-98
  • Metz, Christian (1982): The Imaginary Signifier (trans. Celia Britton, Annwyl Williams, Ben Brewster & Alfred Guzzetti). Bloomington: Indiana University Press
  • Mick, David Glen (1986): ‘Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols and Significance’, Journal of Consumer Research 13(2): 196-213
  • Mick, David Glen (1988): ‘Schema-theoretics and Semiotics: Toward More Holistic, Programmatic Research on Marketing Communication’, Semiotica 70(1/2): 1-26
  • Mick, David Glen & Claus Buhl (1992): ‘A Meaning-based Model of Advertising Experiences’, Journal of Consumer Research 19: 317-38
  • Mick, David Glen & Laura G Politi (1989): ‘Consumers’ Interpretations of Advertising Imagery: A Visit to the Hell of Connotation’. In Elizabeth C Hirschman (Ed.): Interpretive Consumer Research. Provo, UT: Association for Consumer Research, pp. 85-96
  • Millum, Trevor (1975): Images of Woman: Advertising in Women’s Magazines. London: Chatto & Windus
  • Monaco, James (1981): How to Read a Film. New York: Oxford University Press (Part III, ‘The Language of Film: Signs and Syntax’)
  • Moores, Shaun (1993): Interpreting Audiences: The Ethnography of Media Consumption. London: Sage
  • Morley, David (1980): The ‘Nationwide’ Audience: Structure and Decoding. London: BFI
  • Morley, David (1981a): ‘”The Nationwide Audience” – A Critical Postscript’, Screen Education 39: 3-14
  • Morley, David (1981b): Interpreting Television. In Popular Culture and Everyday Life (Block 3 of U203 Popular Culture). Milton Keynes: Open University Press, pp. 40-68
  • Morley, David (1983): ‘Cultural Transformations: The Politics of Resistance’. In Davis & Walton (Eds.), op. cit., pp. 104-17
  • Morley, David (1992): Television, Audiences and Cultural Studies. London: Routledge
  • Morris, Charles W (1938/1970): Foundations of the Theory of Signs. Chicago: Chicago University Press
  • Morris, Pam (Ed.) (1994): The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev, Voloshinov. London: Edward Arnold Prentice-Hall
  • Murray, Donald M. (1978): ‘Internal Revision – A Process of Discovery’. In C R Cooper & L Odell (Eds.): Research on Composing. Urbana, IL: NCTE
  • Myers, Kathy (1983): ‘Understanding Advertisers’. In Davis & Walton (Eds.), op. cit., pp. 205-223

N

  • Nelson, Richard K (1983): Make Prayers to the Raven: A Koyukon View of the Northern Forest. Chicago: University of Chicago Press
  • Newcomb, Theodore M (1952): Social Psychology. London: Tavistock
  • Nichols, Bill (1981): Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington, IN: Indiana University Press
  • Nöth, Winfried (1990): Handbook of Semiotics. Bloomington, IN: Indiana University Press

O

  • Ogden, Charles K ([1930] 1944): Basic English (9th Edn.). London: Kegan Paul, Trench, Trubner & Co.
  • Ogden, Charles K & Ivor A Richards (1923): The Meaning of Meaning. London: Routledge & Kegan Paul
  • Olson, David (1994): The World on Paper: The Conceptual and Cognitive Implications of Writing and Reading. Cambridge: Cambridge University Press
  • Orwell, George ([1949] 1989): Nineteen Eighty-Four. Harmondsworth: Penguin
  • Osgood, Charles E, George J Suci & Percy H Tannenbaum (1957): The Measurement of Meaning. Urbana, IL: University of Illinois Press
  • O’Sullivan, Tim, John Hartley, Danny Saunders, Martin Montgomery & John Fiske (1994): Key Concepts in Communication and Cultural Studies. London: Routledge

P

  • Panofsky, Erwin (1970a): Meaning in the Visual Arts. Harmondsworth: Penguin
  • Panofsky, Erwin (1970b): Renaissance and Renascences in Western Art. London: Paladin
  • Parkin, Frank (1972): Class Inequality and Political Order. London: Granada
  • Peirce, Charles Sanders (1931-58): Collected Writings (8 Vols.). (Ed. Charles Hartshorne, Paul Weiss & Arthur W Burks). Cambridge, MA: Harvard University Press
  • Pepper, Stephen C (1942): World Hypotheses: A Study in Evidence. Berkeley, CA: University of California Press
  • Piaget, Jean (1929): The Child’s Conception of the World. New York: Humanities Press
  • Piaget, Jean (1971): Structuralism (trans. Chaninah Maschler). London: Routledge & Kegan Paul
  • Pollio, Howard, J Barrow, H Fine & M Pollio (1977): The Poetics of Growth: Figurative Language in Psychology, Psychotherapy and Education. Hillsdale, NJ: Lawrence Erlbaum
  • Pranger, Brian (1990): The Arena of Masculinity. London: GMP
  • Propp, Vladimir I ([1928] 1968): Morphology of the Folktale (trans. Laurence Scott, 2nd edn.). Austin: University of Texas Press

R

  • Real, Michael R (1996): Exploring Media Culture: A Guide. Thousand Oaks, CA: Sage
  • Reddy, Michael J (1979): ‘The Conduit Metaphor – A Case of Frame Conflict in Our Language about Language’. In Andrew Ortony (Ed): Metaphor and Thought. Cambridge: Cambridge University Press, pp. 284-324
  • Reisz, Karel & Gavin Millar (1972): The Technique of Film Editing. London: Focal Press
  • Richards, Ivor A (1932): The Philosophy of Rhetoric. London : Oxford University Press
  • Riffaterre, Michael (1970): ‘Describing Poetic Structures: Two Approaches to Baudelaire’s “Les Chats”‘. In J. Ehrmann (Ed.): Structuralism. Garden City, NY: Anchor Books, pp. 188-230
  • Rodowick, David N (1994): The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory. Berkeley, CA: University of California Press
  • Romanyshyn, Robert D (1989): Technology as Symptom and Dream. London: Routledge
  • Rosenblum, Ralph & Robert Karen (1979): When the Shooting Stops… The Cutting Begins: A Film Editor’s Story. New York: Da Capo
  • Ryan, T A & C B Schwartz (1956): ‘Speed of Perception as a Function of Mode of Representation’, American Journal of Psychology 96: 66-69

S

  • Salt, Barry (1983): Film Style and Technology: History and Analysis. London: Starword
  • Samovar, Larry A & Richard E Porter (1988): Intercultural Communication: A Reader (5th Edn.). Belmont, CA: Wadsworth
  • Sapir, Edward (1958): Culture, Language and Personality (Ed. D G Mandelbaum). Berkeley, CA: University of California Press
  • Sapir, Edward ([1921] 1971): Language. London: Rupert Hart-Davis
  • Saussure, Ferdinand de ([1916] 1974): Course in General Linguistics (trans. Wade Baskin). London: Fontana/Collins
  • Saussure, Ferdinand de ([1916] 1983): Course in General Linguistics (trans. Roy Harris). London: Duckworth
  • Schmandt-Besserat, D (1978): ‘The Earliest Precursor of Writing’, Scientific American 238: 50-59
  • Schroeder, Jonathan E (1998): ‘Consuming Representation: A Visual Approach to Consumer Research’. In Stern op. cit., pp. 193-230.
  • Scollon, Ron & Suzanne Wong Scollon (1995): Intercultural Communication: A Discourse Approach. Oxford: Blackwell
  • Scott, Linda M (1994a): ‘Images in Advertising: The Need for a Theory of Visual Rhetoric’, Journal of Consumer Research 21: 252-73
  • Scott, Linda M (1994b): ‘The Bridge from Text to Mind: Adapting Reader Response Theory to Consumer Research’, Journal of Consumer Research 21: 461-80
  • Scribner, Sylvia & Michael Cole (1981): The Psychology of Literacy. Cambridge, MA: Harvard University Press
  • Sebeok, Thomas A (Ed.) (1960): Style in Language. Cambridge, MA: MIT Press
  • Sebeok, Thomas A (Ed.) (1977): A Perfusion of Signs. Bloomington, IN: Indiana University Press
  • Seiter, Ellen (1992): ‘Semiotics, Structuralism and Television’. In Allen (Ed.), op. cit.
  • Shannon, Claude E & Warren Weaver (1949): A Mathematical Model of Communication. Urbana, IL: University of Illinois Press
  • Silverman, Kaja (1983): The Subject of Semiotics. New York: Oxford University Press
  • Silverman, David & Brian Torode (1980): The Material Word: Some Theories of Language and its Limits. London: Routledge & Kegan Paul
  • Slater, Don (1983): ‘Marketing Mass Photography’. In Davis & Walton (Eds.), op. cit., pp. 245-263
  • Sless, David (1986): In Search of Semiotics. London: Croom Helm
  • Smith, Frank (1982): Writing and the Writer. London: Heinemann
  • Smith, Frank (1988): Understanding Reading. Hillsdale, NJ: Erlbaum
  • Snyder, J & N W Allen (1982): ‘Photography, Vision and Representation’. In T Barrow, S Armitage & W Tydeman (Eds.): Reading into Photography. Albuquerque: University of New Mexico Press
  • Spiggle, Susan (1998): ‘Creating the Frame and the Narrative: From Text to Hypertext’. In Stern op. cit., pp. 156-190.
  • Spivak, Gayatri Chakravorty (1976): ‘Translator’s Preface’. In Derrida op. cit., pp. ix-lxxxvii
  • Stam, Robert (2000): Film Theory. Oxford: Blackwell
  • Stern, Barbara B (Ed) (1998): Representing Consumers: Voices, Views and Visions. London: Routledge
  • Storey, John (Ed.) (1996): What is Cultural Studies? London: Arnold
  • Strinati, Dominic (1995): An Introduction to Theories of Popular Culture. London: Routledge
  • Sturrock, John (1979) (Ed.): Structuralism and Since: From Lévi-Strauss to Derrida. Oxford: Oxford University Press
  • Sturrock, John (1986): Structuralism. London: Paladin
  • Swales, John (1990): Genre Analysis: English in Academic and Research Settings. Cambridge: Cambridge University Press

T

  • Tagg, John (1988): The Burden of Representation: Essays on Photographies and Histories. Basingstoke: Macmillan
  • Thayer, Lee (1982): ‘Human Nature: Of Communication, of Structuralism, of Semiotics’, Semiotica 41(1/4): 25-40
  • Thibault, Paul J (1997): Re-reading Saussure: The Dynamics of Signs in Social Life. London: Routledge
  • Threadgold, Terry & Anne Cranny-Francis (Eds.) (1990): Feminine, Masculine and Representation. Sydney: Allen & Unwin
  • Thwaites, Tony, Lloyd Davis & Warwick Mules (1994): Tools for Cultural Studies: An Introduction. South Melbourne: Macmillan
  • Tolson, Andrew (1996): Mediations: Text and Discourse in Media Studies. London: Arnold
  • Tuchman, Gaye (1978): Making News: A Study in the Construction of Reality. New York: Free Press
  • Tudor, Andrew (1974): Image and Influence: Studies in the Sociology of Film. London: George Allen & Unwin
  • Turner, Graeme (1992): British Cultural Studies: An Introduction. New York: Routledge

U

  • Umiker-Sebeok, Jean (Ed.) (1987): Marketing and Semiotics. Amsterdam: Mouton de Gruyter

V

  • Vico, Gianbattista ([1744] 1968): The New Science (trans. Thomas Goddard Bergin & Max Harold Finch). Ithaca: Cornell University Press
  • Voloshinov, Valentin N (1973): Marxism and the Philosophy of Language (trans. Ladislav Matejka & I R Titunik). New York: Seminar Press

W

  • Watney, Simon (1982): ‘Making Strange: The Shattered Mirror’. In Burgin (Ed.), op. cit., pp. 154-76
  • White, Hayden (1973): Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore, MD: Johns Hopkins University Press
  • White, Hayden (1978): Tropics of Discourse: Essays in Cultural Criticism. Baltimote, MD: Johns Hopkins University Press
  • White, Hayden (1979): ‘Michel Foucault’. In Sturrock (Ed.), op. cit., pp. 81-115
  • White, Hayden (1987): The Content of the Form: Narrative Discourse and Historical Representation. Baltimore, MD: Johns Hopkins University Press
  • White, John (1967): The Birth and Rebirth of Pictorial Space. London: Faber & Faber
  • Whorf, Benjamin Lee (1956): Language, Thought and Reality (Ed. John B Carroll). Cambridge, MA: MIT Press
  • Wilden, Anthony (1987): The Rules Are No Game: The Strategy of Communication. London: Routledge & Kegan Paul
  • Willemen, Paul (1994): Looks and Frictions: Essays in Cultural Studies and Film Theory. London: BFI/Bloomington, IN: Indiana University Press
  • Williamson, Judith (1978): Decoding Advertisements. London: Marion Boyars
  • Wimsatt, William K & Monroe C Beardsley (1954): The Verbal Icon: Studies in the Meaning of Poetry. Lexington, KY: University of Kentucky Press
  • Wiseman, Boris & Judy Groves (2000): Introducing Lévi-Strauss and Structural Anthropology. Cambridge: Icon
  • Wollen, Peter (1969): Signs and Meaning in the Cinema. London: Secker & Warburg/BFI
  • Woodward, Kathryn (Ed.) (1997): Identity and Difference. London: Sage/Open University
  • Woollacott, Janet (1982): ‘Messages and Meanings’. In Gurevitch et al. (Eds.), op. cit.
  • Wren-Lewis, Justin (1983): ‘The Encoding/Decoding Model: Criticisms and Redevelopments for Research on Decoding’, Media Culture & Society 5(2): 179-97
  • Wright, Lawrence (1983): Perspective in Perspective. London: Routledge & Kegan Paul

Y

  • Young, Brian M (1990): Television Advertising and Children. Oxford: Clarendon Press

Z

 

Leave a Reply

Your email address will not be published. Required fields are marked *